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Each day, my fingers itched for the feel of those four strings, those frets.
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I didn’t know how to play, but it only took an hour and three chords for me to get hooked. I was 35 years old then, a new mum with postpartum depression who was grappling with certain missed opportunities in life. Soon, I moved to Australia where I buried the dream.Īnd that would’ve been the end of the story had I not randomly reached for my husband’s dusty ukulele. I conceded that I’d always be just a tourist in that world, loving music but unlicensed to participate. That was my last and only stab at making music before I decided I was unworthy. He watched one gig, said nothing, and never watched again. This was a man, after all, who had written, recorded and performed dozens of hits. But would they have been so harsh if I hadn’t been the daughter of a legend?Īs for my father, my band didn’t live up to his impeccable musical taste. It’s true I’d had a few mediocre performances. Though I eventually became a decent player and singer, my primary goal was always joy “She can’t really sing,” the ‘kindest’ ones said. The comments on the internet were unkind. With great trepidation, I joined a band as a vocalist.
I suddenly found myself under the gaze of a scrutinising audience who wondered if I was made of the same magic as my father.
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The fact that I followed my dad into the showbiz spotlight, as a TV presenter, did not make me more confident about singing. In early adulthood, I still felt like a fledgling finding her voice. I’d done nothing to deserve the support of a killer line-up other than a few good karaoke performances and having my father’s last name. “Just say the word and I’ll have a killer line-up ready for you!” “Come on, let’s form a band,” said my boyfriend, another accomplished musician. “So when are you gonna do your own thing, huh?” they’d press, as though I was already part of their club. “Dude, your dad is a legend!”, said the cool muso kids on campus. But I felt timid as a mouse, not liking the feeling that people were waiting for me to do something amazing.Īt university, my dad’s reputation continued to precede me. Discover essential techniques and pros and cons of each approach.It wasn’t that I didn’t like making music. CLICK HERE TO GET IT FREEįingerpicking vs Flatpicking Guitar – Learn which picking style is right for YOU by exploring examples, history, and popular players of each style.
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This is also what I play myself - CLICK HERE TO LEARN MOREĬhords, Tabs & Video Lessons for 100 Epic Songs – This free guide that I created for fellow guitarists gives you chords, tabs, and video lessons for the 100 best songs to learn on guitar… I spent many hours putting this guide together to help you get better at guitar, faster. The Best Acoustic Guitar – Beloved by everyone from Paul Simon to Gordon Lightfoot, the Martin D-18 is one of Martin’s most legendary guitars ever… It’s an excellent, premier quality acoustic guitar for bluegrass, country, folk, rock and more. They provide the perfect mix of boom, range, twang, and brightness that acoustic music is known for. The Best Acoustic Guitar Strings – A unique polymer coating makes these guitar strings last for months or even years at a time, making for an exceptional value. Whenever you’re ready to take your guitar playing to the next level, check out a few of my favorite resources below: In “Nine Pound Hammer,” he was noted for his unique guitar approach (still taught today as “Travis Picking”). The life and economic exploitation of American coal miners were frequently mentioned in the lyrics of his songs, and this song is no exception. He was born in the small town of Rosewood in Kentucky.
Merle Travis was a well-known American western and country singer. Video can’t be loaded because JavaScript is disabled: Merle Travis Nine Pound Hammer 1951 ()
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